Puzzle Pieces Falling

In general, I think we need to move away from the premise that being a good person is a fixed immutable characteristic and shift towards seeing being good as a practice. And it is a practice that we carry out by engaging with our imperfections. We need to shift towards thinking that being a good person is like being a clean person. Being a clean person is something you maintain and work on every day.We don’t assume ‘I am a clean person therefore I don’t need to brush my teeth.’ When someone suggests to us that we have something stuck in our teeth we don’t say to them ‘What do you mean I have something stuck in my teeth—but I’m a clean person?!’

Jay Smooth in his TED speech “how I learned to stop worrying and love discussing race” (via tropicanastasia)

Jay Smooth almost always a reblog

(via unrational)

Dude nailed it. We all need to work at being good. Even if we think we are.

(via jasmined)


bridgioto:

Bravest Warriors #24 is coming out next week, with this cover I did for it! Here’s some of the process work - I included some explanations this time. I don’t know if it’ll be helpful at all or just… verbose… but hopefully there’s something useful in there :>

1. Thumbnail

2. Tight sketch

3. Rough values painted underneath the sketch

4. Value painting on top of the sketch to tighten things up

5. Flat colors! Regular area fill for set pieces, and a few color/overlay layers to quickly indicate hues in the painting

6. Set lighting: using multiply layers to indicate the overall scene lighting raking across the wall, working out how that will interact with the portrait painting and lead the eye. Also continuing to paint in regular layers on top of the portrait.

7. Warming/brightening up the scene lighting, picking out highlights on the frame, softening some form shadow edges to add dimension, adding some rimlight to Catbug. Continuing to work up the portrait. Adding occlusion shadows under the frame and curtains.

8. Using a lighten layer to better expose and unify the areas of the scene struck by light. Lightening the shadow areas a bit to raise overall tone and prevent stuff from getting lost or too dark.

9. Pushing the lights even further to get a stronger afternoon-light feel and create better separation between light and shadow. Adding a soft glow around the light edges. And dust mote sparkles! :>